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Even the opportunity to play Mona Sax, something I normally would have eaten up, was hurt by the fact you play her in the least worst parts of the game. I can't recall any such moments in the Max Payne and they definitely affected my enjoyment factor. The construction site level, which forms a major part of the second act, contained several sections which were frustrating and plain not fun. The gameplay is decent, the controls are fine, and the graphics are top notch but I can't say I had as much fun as in the original. There's one major revelation later in the game but it's nothing approaching the original's layer after layer of conspiracy. The plot is also streamlined to the point there's not too many surprises. The fact is the Cleaners grew boring as enemies after the first level and continued to show up as the main antagonists for a substantial portion of the game. Max Payne purists seem to all agree Max Payne 2 is superior to the original in all ways.
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All of this almost makes up for the fact Max Payne 2 flat out isn't as good as the original. Even so, we believe Max is ambivalent enough about his own morality to stay with her. Too often there's nothing really forcing the two main characters apart where here it's the fact that Mona is a hired killer. Max's willingness to protect Mona forces him to make some uncomfortable moral choices and I happened to like this. The romance is believable as such things go, starting with a mutual attraction and growing from there.
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I don't think Max would fall for anyone who reminded him of his wife. Payne and this helps me believe the romance. Mona is pretty much the polar opposite of the late Mrs. It's an interesting relationship because Max's chief motivation in the last game was avenging his wife and child's murder.
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It's pretty much a replay of Batman's relationship with Catwoman, except Max is honest enough to know he's no better than Mona and she's a lot more professional about her business. Max Payne 2 is all about Max Payne falling in love with hitwoman Mona Sax. At the heart of the things, of course, is the titular love story. For a third person shooter, the storyline is remarkably deep and methodical. The game slowly takes you through the plot step-by-step until the revelation of its ultimate mastermind. On the contrary, it's an extremely well-written thriller. It's pretty tame compared to the original game's government conspiracies, Norse mythology, and evil megacorps. Max Payne stumbles onto one of their missions and ends up getting involved in a mob war. A group of hit men impersonating house cleaners are wiping out a lot of the Underworld's criminals. In many respects, this plot is no more unbelievable than a typical action movie. The gonzo sensibility of the original game is largely absent. I can believe in zombies and aliens but thinking Max Payne would ever be a cop again took some work. This took a lot of suspension of disbelief on my part. He still kills a bunch of people but always within the bounds of the law, sort of like Dirty Harry. He's not an insane killing machine bent on slaying every mobster in New York but a police officer once more.
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Max Payne 2 resolves this issue by dialing it back, a lot. Max Payne was about a cop going on a last dance of murder and revenge, fully aware he was going to end up either dead or in jail. It was above Frank Miller's Sin City in its strangeness but not by much. The original Max Payne was a bizarre hybrid of Matrix-like gun porn and insane humor. The fact is Max Payne 2 is a substantially different title from its predecessor. Unfortunately, I can't just blame it all on adolescents unwilling to admit girls aren't icky. This is probably unfair but I think the video game market still has a long way to go before its primary audience is capable of appreciating deep emotion. Maybe I don't have a very high opinion of the average fourteen-year-old gamer, mostly because I was one, but I suspect plenty of people instinctively shied away from the title because of the presence of romance in their shooters. I believe this directly lead to its commercial failure. Max Payne 2: The Fall of Max Payne prominently displays the subtitle, "A Film Noir Love Story" on its cover.